Música Popular Brasileira (e mais)

Podres Poderes por Maria Bethânia

2008-10-04T12:03:00.000-07:00

julieta venegas " ilusion " com marisa monte mtv unplugged

2008-10-04T11:58:00.000-07:00

Love is Music! Amor e Musica!

2008-09-25T15:36:00.001-07:00

Brazil double-take: Barack Obama's on the ballot

2008-09-20T09:31:00.000-07:00

Brazil double-take: Barack Obama's on the ballot
By BRADLEY BROOKS – 1 day ago

BELFORD ROXO, Brazil (AP) — With Barack Obama on the ballot in at least eight local elections in Brazil, you might think the Democratic presidential candidate is keeping his options open in case John McCain winds up in the White House.

Not at all. Due to a quirk in Brazilian electoral law, candidates can put any name they want on the ballot, as long as it isn't offensive. At least eight candidates have chosen to be known as "Barack Obama" in the Oct. 5 elections.

The Illinois senator is hugely popular in Brazil. The prospect of a black U.S. president has generated enthusiasm across the country, where more people call themselves black than anywhere except Nigeria.

A variety of Brazilian candidates are hoping they can ride his distant coattails into office.

Read More

Lula Supports Same-Sex Marriage

2008-09-20T09:28:00.000-07:00

"President Luiz Inacio Lula da Silva says that in Brazil, "there are men living with men, and women living with women" who 'build a good life together.' But a proposed law that would give all same-sex couples rights equal to those enjoyed by married heterosexuals has been stalled in Brazil's Congress for more than a decade. Silva said in an interview aired late Wednesday night by the government-run TV Brasil that politicians who oppose same-sex unions and yet seek the votes of gay men and women during elections are 'hypocrites.'"

Quase nada por Zeca Baleiro

2008-09-07T17:41:00.000-07:00

SAMBA TRANSEXUAL por Caetano Veloso

2008-09-07T12:49:00.000-07:00

SAMBA TRANSEXUAL
6/09/2008 4:42 am
Waldick Soriano morreu. “Eu não sou cachorro, não” é um clássico da cultura brasileira. Tenho orgulho desse grande baiano das nossas letras e músicas. Elite? Se há uma elite para mim, é a elite dos que têm ou tiveram grande intuição artística. Waldick era um desses. Que bom que nossa deslumbrante Patrícia Pillar fez um filme sobre ele a tempo.

Uma amiga americana reclamou por eu não ter incluído “transexual” entre as palavras que citei ao escrever sobre “transamba”. Ela disse que o prefixo “trans”, nos Estados Unidos de hoje, lembram antes de tudo “transexual”. Pois bem, aqui está: hoje estávamos gravando “Base de Guantánamo” e, num tempo de espera para Moreno e Daniel acertarem alguma coisa na máquina, Pedro Sá começou a tocar “Outra vez”, de Jobim, eu, cá do meu canto, comecei a cantar e aí, numa reação imediata e miraculosa, Marcelo inventou uma levada circular na bateria que fazia o samba daquela canção ser mais samba e, ao mesmo tempo, o levava para outra dimensão. Era um samba transexual. Quer dizer: ia além do sexo (que, como todos sabem, é a instância máxima da realidade).

Read more.

Dorival Caymmi, Singer of Brazil, Is Dead at 94

2008-09-07T12:00:00.001-07:00

August 19, 2008
Dorival Caymmi, Singer of Brazil, Is Dead at 94 By DOUGLAS MARTIN
Correction Appended

Dorival Caymmi, a Brazilian singer and songwriter who helped lay the foundations of bossa nova, wrote Carmen Miranda’s first hit and gave legendary voice to the romance of the beaches, fishing villages and bathing beauties of his native Bahia, died on Saturday at his home in Rio de Janeiro. He was 94.

The cause was multiple organ failure, according to accounts in the Brazilian news media. Luiz Inácio Lula da Silva, Brazil’s president, praised him as “one of the founders of Brazilian popular music.”

Mr. Caymmi’s career encompassed 60 years and about 20 albums, the last one released four years ago. But his influence transcended such measurable milestones and found enduring expression in the music of Brazilian greats like Antonio Carlos Jobim, Caetano Veloso and Gilberto Gil.

In an introduction to an anthology of Mr. Caymmi’s work in 1994, Jobim, the driving force behind bossa nova, a sophisticated jazz style derived from samba, wrote: “Dorival is a universal genius. He picked up the guitar and orchestrated the world.”

From the beginning of his career, Mr. Caymmi musically imbued his country with a rhythmic, romantic identity that went well with Brazil’s enticing geography and sultry, bikini-clad women. His first and immediately popular song, written at 16, “O Que É Que a Baiana Tem?” (“What Is It About Bahian Women?”), set the tone.

That song became the first hit of Carmen Miranda, whose well-displayed limbs, extravagant hats and exuberant voice made her a global sensation as the Brazilian Bombshell. In 1996, the publication News From Brazil said Mr. Caymmi taught Ms. Miranda to move her arms and hands with the music, which became her trademark.

Songs like “Marina” (1944) and “O Samba da Minha Terra” (1941) inspired the greats of bossa nova.

Mr. Caymmi’s easygoing style was compared by some to that of Bing Crosby, not least because of his similar velvety baritone.

The laid-back Andy Williams and Perry Como sang Mr. Caymmi’s “Das Rosas,” translated as “And Roses and Roses” by the American lyricist Ray Gilbert.

Romero Lubambo, a Brazilian guitarist who lives and plays in the United States, said in an telephone interview on Monday that it was impossible to overstate Mr. Caymmi’s public recognition in his own nation.

“Everybody who is alive in Brazil today has probably heard of him,” he said.

Writing in The New York Times in 2001, Ben Ratliff said Mr. Caymmi was perhaps second only to Jobim “in establishing a songbook of this century’s Brazilian identity.” A large part of this was evoking the life and dreams of working-class people, particularly fishermen.

Dorival Caymmi was born on April 30, 1914, in Salvador, the capital of Bahia state. He had several jobs, including that of journalist, and won a songwriting contest in 1936 as part of Salvador’s carnaval. Two years later he went to Rio de Janeiro to study law and perhaps look for a job as a journalist.

But he went into the music business, and firmly established himself with the song Ms. Miranda performed in the movie “Banana-da-Terra” (1939). He became a regular on Radio Nacional, and his fame grew. He recorded for five decades, both singing solo with his own guitar accompaniment and backed by bands and orchestras.

Mr. Caymmi married the singer Adelaide Tostes, who used the stage name Stella Maris. She survives him, along with their sons, Dori and Danilo, and their daughter, Nana, who are all also successful musicians.

News From Brazil reported that Mr. Caymmi’s nearly 70-year marriage survived some carousing on his part. It told of his wife’s finding him in a bar surrounded by women. She slammed a table, broke a glass, punched him, and left.

“He was a hard act to follow,” she said, “but it was worthwhile.”

This article has been revised to reflect the following correction:

Correction: August 27, 2008
An obituary on Aug. 19 about the Brazilian singer and songwriter Dorival Caymmi mistranslated the Portuguese title of his first hit, “O Que É Que a Baiana Tem?” It is “What Is It About Bahian Women?” (or literally “What Is It That Bahian Women Have?”), not “What Is It About Brazilian Women?”

Zeca Baleiro Finds Stephen Fry

2008-09-07T11:37:00.000-07:00

WHEN ZECA BALEIRO wrote a sentimental song simply called “Stephen Fry” (1995) and after that, when he released his first album in 1997, also titled Where is Stephen Fry Going To? (Por Onde Andará Stephen Fry?), he would never realized that this very brilliant Britsh actor and writer could have apprecited this sort of Brazilian homage, until the moment they could really knew each other better as it happened in that interview produced by the UpToDate team.

SO HERE YOU HAVE what we could mention as a journalistic effort, a classical encounter between the creator of a piece of work, Zeca Baleiro, and the one who became part of the reason of his inspiration, the terrific actor and writer Stephen Fry. Whithout any kind of distinction, movies, music and literature become part of that menu between this two artists.

WHITHOUT ANY KIND OF previous rules or marketing intentions, hardly ever an episode such as this one would happen again that way in the arts history. A young Brazilian songwriter writes a song and album in homage to a Britsh actor and then they end up talking to each other in a interview. Many faxes an phone calls between São Paulo and London were scheduled to the realization of this interview. And after this endeavour, it seems that it’s just a beginning of a very nice friendship between them.

Walter de Silva

Zeca Baleiro Interviews Stephen Fry

NICE TO MEET YOU / FROM THAT EPISODE TO MUSIC

Zeca - In February 1995, I read an article in a Brazilian newspaper called Folha de S. Paulo in which they reported an episode that you were supposed to be missed, or might have travelled whithout letting know your destination, after receiving a not so good review from a Britsh newspaper on a particular performance you've done in a play.

Then, immediately I took my accoustic guitar and lightly wrote a song moved by this episode and by the sound of your name, Stephen Fry. After two years, when I recorded this album and I had to choose the title of the CD, someone suggested me to put on it the first line of the "Stephen Fry" lyrics that says / Where is Stephen Fry supposed to be? /. Because it probably could have some appeal on the history of the song, your history, and also on the album's contents.

But everything was so lightly done that I dindn't expect to get that attention. However, all of sudden, the title of the album, as well the brief comment I've written into it on your episode, roused a curiosity on both Brazilian press and people, and it ended up reaching you, something that I couldn't imagine. My question is, what do you think of becoming a title of a song, in a country like Brazil, by the hands of a Brazilian composer, and also become a title of a CD?

Stephen Fry - Well, it’s a very extraodrinary feling. On the one hand, I feel tremendously honoured and flattered, on the other it is rather a strange thought that there are people with copies of it all over Brazil, joining in the chorus and singing my name along with you. I suppose it is a bit like the feeling native tribes used to have when they first had their photographs taken..

STEPHEN FRY OPINION / HIS MUSICAL TASTE

Zeca - I would like you feel comfortable enough to tell me how did you like the "Stephen Fry" song, specially, and what about the CD as a whole work? What's your impression?

Stephen - This is what makes the feeling I expressed in answer to the first question such a pleasurable one. I think “Stephen Fry” is an absolutely terrific song. I really love it. I’ve found myself going about the place humming it and singing it to myself. You have a very gentle and attractive voice, and there’s no question my name fits very well into the tune - if I had been called Oliver Flutterwick or something similar it would hardly have made much a song, would it? As for the CD in general, I really admire it very much. I haven’t heard any of your work before. I love the variations in rhythm and style throughout. Congratulations.

Zeca - Do you like to listen to popular music? In general, what have you been listening to?

Stephen - I listen to a lot of music, I suppose. The current “Britpop” sensation is quiet very hard to ignore, and I do like Oasis, Pulp, Blur, The Verve and so on.

Zeca - What are your references to Brazilian music?

Stephen - I have to confess that I don’t really have any. Like most westerners, I think of Latin rhythms more than anything else. Bossa Nova that kind of thing, and I know most of this is Spanish-South American rather than Portuguese-South American. I do love the rhythmic excitement.

Cinema & Oscar Wilde

Zeca - Now, speaking about you, the first movie in which I saw you acting was Peter's Friend (1993), in which you've played a very touching positive HIV character. After, I've read that particular new in a Brazilian newspaper which inspired me to write the "Stephen Fry"song. Since then, I became very interested and curious to see all movies you were in. I should say I became your fan. But my attention was called by the fact that you always seem to play an English character even when the action of the movie takes place in America, like in "IQ", for example, (which Brazilian title was "The Theory Of The Love"). How do you explain that?

Stephen - I think people cast me as Britsh wherever or whatever I’ve been doing because I give the impression of a very typical Englishman (God knows why)... I’ve just done movie Wilde which is due to open in Brazil sometime in this year I believe. I hope you manage to get to see that and enjoy it. And I went to the United States to do a small part in a new John Travolta movie called ‘A Civil Action’. Still playing an Englishman I’m afraid.

Zeca - Is criticism or review a necessary evil?

Stephen - Yes, I suppose that’s about the best way of describing it.

Zeca - You play the role of Oscar Wilde in the Brian Gilbert's movie called "Wilde", your most recent work in cinema. What in this character have appealed to you the most?

Stephen - I think it was the chance to put the record straight about him. That he was a man of great kindness, sweetness of nature, generosity, dignity and courage.

Wilde & Laurie

Zeca - Do you think it's part of the artist's function to break moral and cultural barriers like Oscar Wilde did?

Stephen - Very much so...

Zeca - I've heard many good comments on your performance as a comedian. And I have also read enthusiastics reviews on your performance in "Wilde", which is a dense and dramatic movie. Which one of these kind of acting registers do you prefer?

Stephen - I try not to make a distinction between them. I try to see the spectrum of human emotions from laughter to tragedy as a continuum - hope that doesn’t sound too pompous!

Zeca - What's the importance of the TV programme "A Little Bit of Fry and Laury" into your career, into the complex of your activities?

Stephen - I still see Hugh Laurie regularly and we hope to do another series soon...

Books & Screnplays

Zeca - I've heard that you have just finished writing a book. Could you tell me what it's on?

Stephen - It’s an autobiography of my childhood, from the ages of about 7 to 17... I had a very stormy childhood indeed, expelled from lots of schools and ending up (for a short while) in prison. The book covers that period.

Zeca - Which are your following projects even for cinema as well for literature or for a theatre?

Stephen - Projects are currently the Travolta film I mentioned, then I hope to write a couple of screenplays and another book. Then too a new series with Hugh Laurie.

Having a tea in Brazil

Zeca - Americans are becoming more and more obese. Brazilians more and more poor and happy. And what about English people?

Stephen - I think there’s a good deal of optimism in England at the moment. A new government (at last), a great deal of cultural activity and a new spirit of fun and possibility in the air.

Zeca - Do you have plans to visit Brazil? Just in case, if you happen to come, please, let me know because I'd like you to go to one of my concerts as my special guest. I'd be glad to see you in the audience.

Stephen - If, by any lucky chance, the film Wilde opens in Brazil at the same time that I’m available, then I’d love to visit, absolutely love to. And of course I should love to go to one of your concerts.

Stephen interviews Zeca

Zeca - OK, now it's your turn. Would you like to ask me something?

Stephen Fry - Yes, are you from São Paulo or Rio or Brasília, or from somewhere else in Brazil?

Zeca - I was born in São Luiz, the capital of Maranhão, the Brazilian Northeastern state. That Northeastern region is to Brazil, more or less, like what Ireland is to the Britsh people. But I live for seven years in São Paulo.

Stephen - Did you receive any musical training or is all your talent natural? Are you specially connected with any style of music that has a specifc Brazilian origin or name?

Zeca - I’m absolutely intuitive. My musical background goes through popular culture, religious rites and through the radio, by which I used to listen to Bob Dylan, Rolling Stones, Elton John, Bee Gees and lots, lots of Brazilian music.

Stephen concludes the interview

Stephen - How old are you?

Zeca - I’m 31 years old, but I seem to be 29.

Stephen - Any plans to visit UK?

Zeca - Yes, I’ve got plans. This year, I should go on a small musical tour through Europe with my band Mandabala.

Stephen - Have you worked as a composer on filme or TV soundtrack?

Zeca - I’ve always had a strong desire of making music for movies, but just recently I was invited to write a soundtrack for a short-length one called ‘Impressões Para Clara’ (Impressions For Clara), directed by Joel Yamaji, an young moviemaker in São Paulo. I also had a song, “Bandeira” (Flag), of this album included in a TV soap opera soundtrack called ‘Por Amor’ (For Love), from Rede Globo de Televisão

Cinema Falado por Caetano Veloso

2008-09-06T20:26:00.001-07:00

Caetano Veloso atuando no filme "Onda Nova" 1983

2008-09-06T20:23:00.000-07:00

Roberto Carlos e Caetano Veloso - Entrevista 24/08/08

2008-09-06T19:24:00.001-07:00

Roberto Carlos e Caetano Veloso - Bastidores pós-show

2008-09-06T19:23:00.001-07:00

Veloso e Roberto Carlos - Apresentação

2008-09-06T19:22:00.001-07:00

Caetano Veloso e Roberto Carlos - Garota de Ipanema

2008-09-06T19:21:00.001-07:00

Caetano Veloso e Roberto Carlos - Wave

2008-09-06T19:20:00.000-07:00

Caetano Veloso - Ela é carioca

2008-09-06T19:19:00.000-07:00

Caetano Veloso e Roberto Carlos - Inútil Paisagem

2008-09-06T19:18:00.000-07:00

Caetano Veloso e Roberto Carlos - Caminho de Pedra

2008-09-06T19:17:00.002-07:00

Caetano Veloso e Roberto Carlos - O que tinha de Ser

2008-09-06T19:17:00.001-07:00

Caetano Veloso - Moça

2008-09-06T19:15:00.001-07:00

Jokerman

2008-09-06T19:08:00.001-07:00

Standing on the water, casting your bread
While the eyes of the idol with the iron head are glowing
Distant ships sailing into the mist
You were born with a snake in both of your fists while a hurricane was blowing
Freedom just around the corner for you
But with truth so far off, what good will it do.

Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman.

So swiftly the sun sets in the sky
You rise up and say goodbye to no one
Fools rush in where angels fear to tread
Both of their futures, so full of dread, you don't show one
Shedding off one more layer of skin
Keeping one step ahead of the persecutor within.

Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman.

You're a man of the mountain, you can walk on the clouds
Manipulator of crowds, you're a dream twister
You're going to Sodom and Gomorrah
But what do you care ? Ain't nobody there would want marry your sister
Friend to the martyr, a friend to the woman of shame
You look into the fiery furnace, see the rich man without any name.

Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman.

Well, the Book of Leviticus and Deuteronomy
The law of the jungle and the sea are your only teachers
In the smoke of the twilight on a milk-white steed
Michelangeo indeed could've carved out your features
Resting in the fields, far from the turbulent space
Half asleep near the stars with a small dog licking your face.

Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman.

Well, the rifleman's stalking the sick and the lame
Preacherman seeks the same, who'll get there first is uncertain
Nightsticks and water cannons, tear gas, padlocks
Molotow cocktails and rocks behind every curtain
False-hearted judges dying in the webs that they spin
Only a matter of time 'til the night comes stepping in.

Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman.

It's a shadowy world, skies are slippery gray
A woman just gave birth to a prince today and dressed him in scarlet
He'll put the priest in his pocket, put the blade to the heat
Take the motherless children off the street
And place them at the feet of a harlot
Oh, Jokerman, you know what he wants
Oh, Jokerman, you don't show any response.

Jokerman dance to the nightingale tune
Bird fly high by the light of the moon
Oh, oh, oh, Jokerman.

Tempo de Estio - Jammil e Caetano Veloso

2008-09-06T19:06:00.000-07:00

Adriana Calcanhotto - Mais Feliz (Coliseu dos Recreios

2008-09-06T19:01:00.003-07:00

Adriana Calcanhotto - Três (Coliseu dos Recreios

2008-09-06T19:00:00.001-07:00

Adriana Calcanhotto - Seu Pensamento (Coliseu dos Recreios

2008-09-06T18:57:00.000-07:00

Adriana Calcanhotto Delta Tejo 2008 - Na Fila da Frente

2008-09-06T18:55:00.001-07:00

Show Ana Carolina - Três (Canecão 22/07/2007)

2008-09-06T18:53:00.001-07:00

Adriana Calcanhotto- Três

2008-09-06T18:51:00.000-07:00

ADRIANA CALCANHOTTO || Devolva-me

2008-09-06T18:49:00.001-07:00

Adriana Calcanhotto - Fico Assim Sem Você (23/08/2008)

2008-09-06T18:48:00.001-07:00

Adriana Calcanhotto - Maré (23/08/2008)

2008-09-06T18:47:00.001-07:00

Maria Bethânia e Omara Portuondo - Havana-me

2008-05-24T17:20:00.000-07:00

Show no Teatro Castro Alves em Salvador, dia 26/04/2008

Bethânia e Caetano - Leãozinho (Fantástico 1978)

2008-05-24T17:19:00.000-07:00

Caetano on Charlie Rose (May, 2004)

2008-04-26T08:58:00.001-07:00

Grupo Corpo: Breu with music by Lenine

2008-03-29T08:45:00.000-07:00

I saw the show last night at the Brooklyn Academy of Music in Brooklyn, New York City! What a wonderful show and incredible group. Here is more of their show, Breu.

Breu with music by Lenine

Maria Bethania & Omara Portuondo

2008-03-29T08:27:00.000-07:00

Dorival Caymmi: é doce morrer no mar

2008-03-23T06:39:00.001-07:00

Campaña AIDS Carnaval 2008 Brasil

2008-03-21T11:38:00.001-07:00

Brasil, campaña de prevención, 2007

2008-03-21T11:36:00.000-07:00

Omara Portuondo e Maria Bethânia cantam Marambaia no Canecão

2008-03-19T16:06:00.000-07:00

Maria Bethânia Do Show Âmbar(1996)

2008-03-17T17:56:00.000-07:00

Imitação e Rosa dos Ventos

Chão de Estrelas

Todos os Lugares/Explode Coração

Brisa / Cantigas de Roda / Ciranda da Rosa Vermelha / Quadrinhas / Teresinha

Lua Vermelha/Uma Canção Desnaturada/Gita

Bela Mocidade/Iluminada

Bebel Gilberto "Winter"

2008-03-16T08:15:00.000-07:00

Bebel Gilberto em entrevista

2008-03-16T08:12:00.000-07:00

Bebel Gilberto is the daughter of Joao Gilberto and Miucha. Miucha is the sister of Chico Buarque.

Miúcha e João Gilberto em 1968: Diga

2008-03-16T08:09:00.000-07:00

Miucha

2008-03-16T08:02:00.000-07:00

Maria Bethânia, Nana Caymmi e Miúcha cantam O Que É, O Que É

2008-03-16T08:01:00.000-07:00

Banda MAMUTE - Cabeça-de-área

2008-03-15T17:11:00.000-07:00

Primeira apresentação da música Cabeça-de-área. Banda MAMUTE tocando no Saloon79 em Botafogo-Rio em 29/08/07.
www.fotolog.com/mamute_banda

Mamute is a new band to watch out for. Keep an eye open for their new CD, coming soon.

imagine (lennon) feat. gilberto gil live

2008-03-14T20:08:00.000-07:00

Zizi Possi - Pedaço de Mim (com Chico Buarque)

2008-03-14T19:58:00.000-07:00

MADREDEUS - Haja o Que Houver (video oficial)

2008-03-14T19:49:00.000-07:00

Maria Bethânia - Tropicália - (Do filme Saravah, 1969)

2008-03-14T19:37:00.001-07:00

Cássia Eller no Bem Brasil canta Nós

2008-03-14T12:03:00.000-07:00

Cássia Eller no Bem Brasil canta 1°de Julho

2008-03-14T12:02:00.000-07:00

Cássia Eller no Bem Brasil Canta Eu Sou Neguinha

2008-03-14T12:01:00.000-07:00

Mantisidão - o caminho do lobo

2008-03-14T10:33:00.000-07:00

Cinema Novo Surrealista: "uma câmera na mão e nenhuma idéia - pré-estabelecida - na cabeça".
4 pessoas em um lugar nenhum envolvem-se numa trama de estranhos acontecimentos e mortes que mudarão seus destinos.
Um filme de Roni Valk.

Todo rodado em dois dias no Parque Nacional de Ibitipoca, Minas, o filme seguiu uma construção aos moldes surrealistas, onde as sensações e sentimentos chegam antes da razão. Todas as cenas foram feitas apenas uma vez, com rara excessão.

SEMANA SANTA - SÃO JOÃO DEL REI - MG

2008-03-14T10:25:00.000-07:00

SEMANA SANTA EM OURO PRETO - 2006

2008-03-14T10:24:00.000-07:00

Sylvia Telles - Samba de Uma Nota Só (1966)

2008-03-13T17:07:00.001-07:00

Sylvia Telles - Demais (1959)

2008-03-13T17:06:00.001-07:00

Sylvia Telles-A Felicidade

2008-03-13T17:05:00.001-07:00

Caetano Veloso-Trilhos Urbanos

2008-03-13T17:02:00.000-07:00

Chico Buarque e Caetano Veloso - Tatuagem/ Esse Cara

2008-03-13T17:01:00.001-07:00

Caetano Veloso no Geração 80

2008-03-12T18:37:00.000-07:00

Cássia Eller & Victor Biligone - Mercedes Benz ( 1992 )

2008-03-12T18:32:00.000-07:00

Cássia Eller Por Acaso

2008-03-12T18:19:00.000-07:00

Elis Regina - Alô, Alô, Marciano

2008-03-12T18:18:00.000-07:00

Historia dos Indios Xerente

2008-03-12T07:40:00.000-07:00

Documentário: Carmen Miranda

2008-03-12T06:10:00.000-07:00

Rita Lee La Miranda - Carmem Miranda

2008-03-12T06:08:00.000-07:00

Gal Costa e Maria Bethânia "Esotérico" (Os Doces Barbaros)

2008-03-12T06:04:00.000-07:00

Maria Bethânia - Doce em show no Canecão ao lado de Omara Portuondo. Dia 9 de março de 2008

2008-03-11T17:36:00.000-07:00

O Povo Brasileiro - 1, 2, 3 - Matriz Tupi

2008-03-10T19:44:00.000-07:00

Bethânia fala sobre Dalva de Oliveira e canta "Mãe Maria"

2008-03-10T19:32:00.000-07:00

Maria Bethânia e Adriana Calcanhotto:depois de ter voce

2008-03-10T19:30:00.001-07:00

Maria Bethânia canta "Teresinha"

2008-03-10T19:28:00.000-07:00

Secos & Molhados 1973 : Rosa de Hiroshima

2008-03-09T17:31:00.000-07:00

Maria Bethânia - "Ponto de Iansã" (1972)

2008-03-09T17:23:00.000-07:00

Ney Matogrosso - Miséria no Japão

2008-03-09T17:19:00.000-07:00

Os Doces Bárbaros (1976) - As Ayabás

2008-03-09T17:17:00.000-07:00

Maria Bethânia - "Primavera" (1988)

2008-03-09T17:15:00.000-07:00

Bethânia, Nara e Chico - "Cantores do rádio" (1988)

2008-03-09T17:14:00.000-07:00

Maria Bethânia - "Grito de Alerta" (1988)

2008-03-09T17:13:00.000-07:00

Maria Bethânia - "Mulheres do Brasil" (1988)

2008-03-09T17:12:00.002-07:00

Maria Bethânia - Depoimento + "Ronda" (1988)

2008-03-09T17:12:00.001-07:00

Maria Bethânia - "Eu preciso de você" (1988)

2008-03-09T17:11:00.001-07:00

Maria Bethânia - "O ciúme" (1988)

2008-03-09T17:10:00.001-07:00

Maria Bethânia - "Mãe Oxum" (1988)

2008-03-09T17:09:00.001-07:00

Maria Bethânia - "Blue moon" (1988)

2008-03-09T17:07:00.000-07:00

Maria Bethânia - Negue - Canecão 07/03/08

2008-03-08T18:22:00.001-08:00

Omara Portuondo - Cubanakan - Canecão 07/03/08

2008-03-08T18:20:00.000-08:00

Maria Bethânia - Partido Alto - Canecão 07/03/08

2008-03-08T18:19:00.001-08:00

Maria Bethânia - Brasileirinho ao Vivo (DVD)

2008-03-08T12:25:00.000-08:00

Maria Bethânia - Maricotinha (DVD)

2008-03-08T12:24:00.000-08:00

Projeto Brasileirinho

2008-03-08T12:18:00.000-08:00

Maysa "Manhã de Carnaval"

2008-03-08T12:06:00.000-08:00

Viva Dalva

2008-03-08T12:05:00.000-08:00

Caetano Veloso na Holanda, Amsterdã - Entrevista

2008-03-07T20:57:00.000-08:00

Alcione: Ne Me Quitte Pas

2008-03-07T20:51:00.000-08:00

Angela Ro Ro ( Sim Dói )

2008-03-07T20:43:00.001-08:00